Archives for posts with tag: Memphis

“…no two people’s maps will be the same.”
Mary Schmich

it’s map time!


The Mississippi is uniquely Southern. So this observation I overhead from a Northerner discussing Southern accents seems appropriate in light of the Mississippi’s recent uprising. Here’s to the river and to the southern accent.

The greenline is special.  But it’s even more special after 3 p.m.  In the late afternoon, the Vollintine and Evergreen stretch of greenline becomes filled with warm sunlight filtering through the trees. Star-shaped honeysuckle petals cover the ground. Distracted children pour out of Snowden Elementary and leave traces of their steps with a trail of flaming-hot Cheetos. And who could miss Rhodes College student Graham Smart’s Big Kids with flower pots sticking out of their heads at the west end of the V&E? Memphis is getting its cool back!

Thanks to the steady revitalization of Broad Avenue and the artistic talents of world recognized French artist Guillaume Alby, Memphis is getting more artsy. If you want to check out Alby’s bold, geometrical work, drive by 2542 Broad Avenue and see some live painting. Alby will be in Memphis for two weeks or so. If vous parlez Français, shout out a ‘Bienvenue’ to Alby, like I did this afternoon. It was a little embarrassing for me (my French is very countrified), but it made him smile.


People Who Died by Johnathan Postal


Once again, I thoroughly enjoyed attending this year’s 5th annual Broad Avenue Art Walk. I began my tour at Odessa and strolled my way up the street weaving in and out of galleries and studios, in a quest for inspiration, wine and something special. I convinced a friend to join me, and I think she enjoyed herself, even though most of the wine was gone by the time we got there. It was totally my fault. Well, not because I drank all of it, but we were 2 hours late. After all, it was my promise of vino that persuaded her to accompany me. Thankfully, by the time we sauntered down to MetalWorks (one of the studios located on Broad Avenue) we were able to satisfy our desire for grape juice as we helped ourselves to the last drops of some unknown Pinot grigio. After our fix, we left MetalWorks and strolled back to the car. Shortly after, the something special happened. As we were leaving my friend noticed the coolest thing at a corner parking lot. A short film “Void” by artist Bela Boyd was projected onto  the side of a brick wall. We decided to stay a bit longer, just long enough to turn onto Merton street, stop the car and shoot this little video clip, so you could see the something special for yourself.

See Project Sketchbook.

Nick Redmond is a musical treasure. In an auto-tune, plastic-beauties obsessed world, it was refreshing to see Nick’s worth as an artist, doesn’t depend on the push of a button or some gimmicky physical attribute. Although his über-cool, Samuel L. Clemens inspired mustache is a conversation piece, its coolness doesn’t come close to Nick’s obvious talent and passion for music.

After a few days of playing phone/text tag, I met Nick last Wednesday for a brief interview, in the Memphis Music Room, at Neil’s Bar & Grill in Midtown and witnessed a rising star.

Once inside Neil’s, I kind of felt out of my element, and there was no one to greet me, except a thin layer of cigarette smoke. While maneuvering between odd couples and loners who peppered the restaurant, I looked for my friends. Shout-out to Sarah, the waitress, who helped me navigate the dimly-lit bar to find them. Minutes after I joined Valerie and Khara, I turned around and saw Nick. He sat with us and we began the interview with polite, breezy conversation about Apple’s new iPad and then I launched some hard-hitting questions.

“27. Geez, you are forward. ‘How old are you?’ How many years young are you, that’s the way I like to think of it,” Nick said, after I abruptly asked how old he was moments after glorifying Apple’s latest gizmo. Smooth. I know. Ok, lesson learned: save the indiscreet questions for the end of the interview or text them. I also learned, in addition to being a solo artist, Nick makes up a third of the group Star & Micey (founding members Joshua Cosby and Geoff Smith complete the trio).  For a year and a half, they’ve been playing together and traveling the country. Out of boredom, Nick would often leave work at the renowned and prolific Ardent Recording Studios, also located in Midtown Memphis, and perform at Neil’s during their Artist Round night, where Nick and Joshua first met. Joshua gave Nick a 24-track CD to listen to and the rest is music history.

“I loved all the songs. I thought they were beautiful. I said you should let me produce some songs some time. [We] basically started on an 8 track quarter-inch tape machine, recording simple songs,” he said. “[We] went to Ardent, they liked what was going on, [they] signed the band, and the next thing we knew, they were saying you can make a record in the studio. Which is weird, because I started out helping them in a completely different light and then I ended up, after a certain point, joining the band. I love them so much.”

The chemistry they share as band mates is appreciated, he said.

“We all kind of met in this room and completely, coincidentally, ended up starting, I’d say, one of the (most fun) projects I’ve ever had a chance to be on. I mean, the guys in that band are great. We may not hit all of the right notes, but we get along,” he said.

Congeniality can go a long way in the music biz; it can make or break a band, according to Nick.

“I’ve been in projects for a long, long time, that, you know, we would get to a point and work so hard and then someone’s pride screws the whole thing up,” he said.

Six minutes after our conversation, it was time for Nick to play.  While on stage he acknowledged “some of the most talented musicians” he knew, Rebecca Almond and Jeremy Stanfill. It was a great set of original music by people, undeniably devoted to the art and craft of singing and songwriting. You can see a bit of his performance here. With genuinely talented and animated artists like Nick, it gives us a glimmer of hope that the music industry isn’t dead yet.

Article: KLG
Photo: Valerie Harris

> Thanks Nick for being the first musician featured on this homespun blog. We couldn’t have interviewed a better subject.
Want to hear more music? Check out Nick’s Myspace page here.

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Here’s a bit of street art to gaze upon at the corner of Park Avenue and Airways Boulevard in the heart of Orange Mound. Looks like the once glorious, art moderne styled W.C. Handy Theater ( Handy, an Alabama-bred, famous Memphis musician is credited as being the father of the blues) will be renovated. Something is brewing and it seems positive. Maybe progress to this oft-forgotten neighborhood is on its way and that warms my heart. Read the rest of this entry »

Who is WASE? I believe this is his/her artwork. You can see these cats Downtown on Union Ave across from the Commercial Appeal’s building. One question: would you be grinning if your tale was partly skinned off? What does this say about the artist who created the work?

How delightful. The phantom artist(s) of Midtown deliver(s) more intriguing art at the corner of Higbee and Cooper Street (now my most favorite corner in Memphis). What’s next? I’m on the edge of my seat, in the balcony section about to fall over the edge.

Street art is fascinating, especially the transitory type. I wonder how long this work will be on display at Madison Avenue near the defunct Melos Taverna restaurant? It doesn’t matter let’s just enjoy it while it lasts.